Celebrated singer/songwriter, Joe Purdy is more aptly described as a troubadour—the term, as archaic as it may seem, refers moreover to the idea of a communicator of folklore through song-- one who travels and tells stories using the effective medium of music. Purdy understands that his own live music tradition, has as much to do with commanding captivated, pin-drop silence as it does prompting roars, (which it most definitely has),because in those hushed moments, a solemn and crystal-clear voice, the resonance of acoustic guitar strings into the reverberant din of a music hall, his stories are being heard. It is a pure experience, untouched and untied to any racket or industry. It's about Joe and his audience.
This direct communication with his fans has, year after year, album after album, translated from the stage to the further dissemination of his folklore. Purdy has chosen to release his albums on his own independent label, Mudtown Crier Records, and with the help of national TV placements and that constant conversation with a strong and evergrowing fan base, he has been able to sell a staggering 1 million direct track downloads in the US on iTunes without ever signing to a label. No bullshit-- just Joe and those people, all over the country (and beyond) perpetually willing to hear his stories.
Case in point, he released his 11th album 4th of July on the 28th of June 2010 at four o'clock in the morning, because that's when he finished it.
Joe's writing process is heavily influenced by his environment. His albums act as a travel guide for his experiences. Last Clock On The Wall (2009) was recorded over 6 days at Old Mill Studios, located in a 17th Century mill converted into a live arts theater in Strathaven, just outside of Glasgow, Scotland. Take My Blanket and Go (2007) was recorded in NYC following a UK tour in 2006, You Can Tell Georgia (2006) was recorded outside of London, immediately following a European tour with Tom McRae, while Paris in the Mornin