“Before it was partly Cambodian and partly indie rock,” explains Williams of the band’s evolution. “Now it’s 100 percent both.”
Plunging headlong into their second decade as a band, DENGUE FEVER’s new album, The Deepest Lake, their fifth full-length of all-new material, comes at a critical juncture in the band’s career. In 2013, after forming their own label Tuk Tuk Records, the band crossed over into a brave new world as both artist and record label owner’s. Today they find themselves able to wear two hats – as creative musicians with no boundaries as well as label owners who make their own decisions on where, when and how to fabricate their career.
The net result is the aforementioned, The Deepest Lake, a record with more musical diversions than the Mekong River itself. Released in January 27, 2015 – US/Canada & February 2, 2015 in the rest of the world, the ten tracks on The Deepest Lake will satiate longtime fans as well as newcomers looking for something altogether different. Widely recognized for their trademark blend of 60’s Cambodian pop and psychedelic rock, Dengue Fever’s latest release expands their musical palette to include Khmer rap, Latin grooves, Afro percussion, layered Stax-like horns and more.
From the keyboard and percussion heavy opening track, “Tokay”, lead singer Chhom Nimol’s unmistakable bird-like Khmer vocals lead the band on a evolutionary musical journey on The Deepest Lake. Be it the John Doe & Exene boy/girl vocals on “Rom Say Sok” that gets your indie grooves on or the six plus minute psychedelic jam on “Cardboard Castles”, it’s pretty evident that this is a band looking to take chances and not play it safe. By following their instincts on this record and letting many of the final tracks come out of extended jams when demo’ing the album, the band played to their musical strengths. No longer was there a need to ‘find’ a song, the songs on The Deepest Lake came to them.
The band’s newly established independence as both label